Category Archives: Practice

Poetry 109: The world is too much with us by William Wordsworth

sleepingFlower

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.–Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

Image courtesy of Wikimedia Commons

The act of creation

I’ve been thinking recently about creation in human experience, and also how this relates to the symbolism of creation in the Bible. I’m indebted to Iain McGilchrist here, who, in ‘The Master and his Emissary’ points out the difference between left hemisphere and right hemisphere forms of creation: I will call them reproductive and mimetic forms of creation. The more I reflect on this difference the richer it seems.

In the reproductive form of creation, some kind of idea, plan, or copy (whether mental or physical) of what is to be produced already exists. A new version of that copy is produced.

However, in the mimetic sense of creation, something already exists that may have a closer or more distant resemblance to the thing to be created: it may just be ‘raw material’ that is to be shaped, but in accordance with how it already is. The existing materials are recombined so as to produce something new that was not previously combined in that way, whether in the object itself or in the mind of the creator.God

The crucial differences between these forms of creation depend on what is going on in the mind of the creator.

In the reproductive sense of creation, there are clear goals and representations of what is to be created, and the process of creation is merely to reproduce those goals as precisely as possible. The representations may or may not include an actual copy of the thing to be produced already in existence. A construction engineer building a bridge from a set of painstaking designs in creating in this sense, as is a factory production worker who merely controls a machine that is pre-set to reproduce identical plastic parts over and over again. In this sense of creation, the left hemisphere is heavily dominant.

Reproductive creation follows a positive feedback loop in which an idea is fixed on, a copy of that idea is constructed, and then the constructed thing reinforces the idea. However, reproductive creation will only actually succeed to a certain extent. The plastic parts may appear identical, but will have microscopic variations. The bridge may follow the specification as precisely as possible, but there will be at least some small divergences from it. However, the mental state accompanying this kind of creation focuses on the goal of copying, and will either be frustrated by a lack of exactness in the copying or will deny that there is any such lack, re-interpreting the creation to fit the idea and pretending in ad hoc fashion that it was intended to be like that all along. Any divergence from the plan, if it is admitted, is a failure. The view of the world adopted is one where it is assumed that it is possible to copy exactly because there is an absolute relationship between the specification and the creation. Whilst it may be admitted, on philosophical enquiry, that the copy in the plan is not exactly the same as the created thing, the reproductive creator will insist on the absoluteness of the relationship. This relationship can be called isomorphism from the Greek for ‘same shape’.

In the mimetic sense of creation, on the other hand, there is no expectation of any isomorphism between a plan or a previous model and what is created. Rather it is accepted that both the form of what is created and its meaning to us will depend on various variable factors: the nature of the materials, the mental state and expectations of the creator, or other incidental factors that contribute to what is produced. It is not that the creator will lack plans or intentions, for these will always have to be present to some extent for the activity of creation to occur at all. However, it is accepted that the creation will in some respects have a life that is independent of the creator. Different goals may emerge in the process of creation that were not envisaged at the beginning. A wider harmony and integrity will be sought for the creation which is only partially in line with any wishes the creator may have started with, also responding to the conditions that arose in the process of creation.

In contrast to the positive feedback loop involved in reproductive creation, mimetic creation involves a negative feedback loop. An idea of what is to be made is put into operation, but differences between the idea and the creation are not seen as failures, rather as new conditions to be learnt from and responded to. In this way the idea of what is being created continually changes along with the thing being created.

The mimetic sense of creation is obviously one that applies to works of art, following the senses discussed by Samuel Taylor Coleridge and Erich Auerbach. It also applies to parenthood – at least if it is pursued with wisdom rather than with inflexible plans for the child. Mimesis is obviously the embodied type of creativity. It is a type of creativity pursued with an active and integrated role for the right hemisphere, taking new conditions into account as well as the left hemisphere’s goals and representations. We tend to describe people as ‘creative’ who have learnt to manage the process of mimetic creation with confidence.

I don’t want to imply here that reproduction is necessarily bad: it is just limited when compared to mimesis. The problem with reproduction seems to be when it is absolutised: when we expect copies to be exact, and plans to be precisely reproducible. There are some horrendous examples in history of big plans that were put into operation with hardly any consideration for the conditions: perhaps the Tanganyika Groundnut Scheme is the most astonishingly arrogant and incompetent example I have come across. Mimesis, on the other hand, is not only a quality of the best art, but also the best political proposals and the best engineering projects, among many other things.

If you apply these ideas about Creation to God’s creation of the world in Genesis, they can be related to the debate about what sort of creation Genesis is describing. Did God  simply have a plan that he put into operation regardless? If so, we could read the Creation story as a left hemisphere fantasy of the total and precise enactment of a plan, based on total power. This way of thinking seems to be implied in the classic Christian interpretation of the Creation as ex nihilo – that is, as creating something out of nothing. Blake’s famous ‘Ancient of Days’ picture depicts this kind of creation.

But the text begins “In the beginning God created the heavens and the earth. The earth was a vast waste, darkness covered the deep, and the spirit of God hovered over the surface of the water.” (Gen 1:1-2), which can on the contrary be read as indicating that earth, ‘the deep’ and water already existed, and were merely formed by God. This interpretation would fit the influence of Babylonian and other near eastern creation stories on this one, as the other stories all involve prior existent matter.

If we try to let go of all the metaphysical claims and associations with Christian (and Jewish) dogmas in the Genesis story, we can read it archetypally and in accordance with human experience, simply as an inspiring symbol of creativity, with an archetypal God as a cosmic artist. God does have plans, but he also has raw materials and unexpected conditions to respond to. He pauses each day after making each new set of things before continuing, suggesting that he wasn’t just putting his plans into operation without reflection. What’s more, if you’re creating something as complex as life, you must expect it to respond in unexpected ways: as Adam and Eve are depicted as doing. For more on the Eden story, see my previous post, ‘Reconsidering the Fall’ (and also don’t miss Emilie Aberg’s excellent comment on that).

What is wisdom?

Wisdom is our most important practical quality, but it often seems to be more the basis of fantasy than cultivation. Given an educational system that will barely mention it, it is hardly surprising if wisdom to many people primarily means wizards with long beards and flowing robes. If we have not even reflected how far we have it ourselves, it’s not surprising if it’s projected onto distant figures. But wisdom is about how you make judgements: about, say, what to eat for lunch, or how to respond to that irritating colleague, or whether to spend the evening reading or browsing the internet. We all have it to some extent, and we lack it in other respects.Wise old woman Ferdinand Reus CCSA 3.0

Wisdom should not be confused with knowledge. It is not about what you know, unless it’s about recognising how little you know (as Socrates famously said, he was only wise in the sense of recognising his ignorance). That means you could conceivably be quite wise with little education. Nor is wisdom an automatic benefit of age: you only have to reflect on the narrow-mindedness into which some older people sink to see that.

Instead, I want to suggest that wisdom is a quality dependent on how well we use the experience we have. If we only interpret experience in terms of narrow assumptions, that experience will be useless to us, and will not enable us to learn. Instead, experience will only re-confirm the assumptions we already carry. That’s the positive feedback loop we can get into if we are fixated on ‘knowledge’ or ‘truth’, believing that we have these things and then making our experience fit.

To become wiser, then, we will need to avoid these kinds of fixed beliefs, whether they are positive or negative, but investigate closely, even amongst sets of beliefs we otherwise reject, for ideas that are relevant and helpful. That means that, for example, the wise socialist will try to learn from conservatives even whilst rejecting dogmatic elements of conservatism (and vice-versa). Or if you have a strong belief in yourself as, say, destined to be a successful artist, but end up rejecting that belief as unrealistic, to cultivate wisdom in relation to that belief you will search around for aspects of that artistic aspiration that you can carry forward into other visions of your life.

Wisdom is often contrasted with compassion, but I want to suggest that the two are only conceptually distinguished: in practice they are inseparable. That’s because ‘reason’ is inseparable from ’emotion’, and it’s only a series of unhelpful cultural and philosophical habits that makes us often separate them too sharply. To be wise is to be compassionate, because whenever you challenge fixed beliefs about a person, you also challenge fixed feelings about them. By entering into more open beliefs about them, you also enter into more open emotional responses. By developing provisionality you also develop love, in a sense that avoids both hatred and possessiveness. Of course, the development of wisdom can only continue from wherever you start in emotional as well as cognitive terms, and someone who finds empathy difficult will not magically find it easy because of greater wisdom: but they will be more compassionate than they were before.

I’ve recently completed a video that explores the theme of wisdom in terms of the integration of belief. The integration of belief is simply a term for that process of sifting absolute beliefs from more helpful provisional ones – the process of developing wisdom and compassion. Here’s the video.

Picture by Ferdinand Reus (Wikimedia Commons) CCSA 3.0

Excavating agnosticism

You may think you know what agnosticism is, but I think there is far more to it than meets the eye once you start digging. I have just finished producing a series of videos in which I try to make a comprehensive case in digestibly-sized chunks. Agnosticism

First of all, agnosticism is a practice, not a failure of decision. It is not just about God, but God just happens to be a particularly well-known example of a pair of metaphysical opposites (theism and atheism) to which agnosticism offers a third alternative. It does not involve hanging onto impossibilities, but rather coming to terms with them. Far from being passive, it involves an effort not to be sucked into the absolutizing extremes that dominate discussion (the diagram here, though it may remind you of a football referee, represents the potentially isolated position of the agnostic between dominant groups).

If those points surprise you, you will need to start by looking at the introductory video on agnosticism.

But there’s much more to be said after this. What, after all, is wrong with the extremes in the first place? I want to argue that it’s not simply a dogmatic failure of justification that’s wrong with it (though that is bad enough), but much more seriously, the role of metaphysical (i.e. absolute) beliefs in repressing alternatives, and thus constantly limiting the new conditions we can address, as well as creating conflict. In ‘what’s wrong with metaphysics’, I argue that metaphysics should not be confused with basic or prior claims (a common move by philosophers), that absolute metaphysical claims cannot be held provisionally, and that their only function is to maintain unconditional loyalty to groups or authorities. Metaphysics is a power ploy rooted in a past era when it may possibly have been necessary – but it now greatly hampers us. It’s geared for ancient armies, not modern democracies. That’s why we really need to be agnostic.

But after showing what’s wrong with absolute belief, it’s then very important to rescue the meaningfulness of absolute terms. Terms like God, truth, Satan, nature, beauty etc. should not be objects of absolute belief, but they can still be fully appreciated as archetypes with crucial meaning in embodied human experience. That means that we really can have our cake and eat it: we can participate in religious life without compromising our integrity or triggering the repression and conflict that often accompanies religious ‘belief’. Metaphysical belief is in no way necessary to what religion has to contribute to human experience. All we have to do is separate absolute belief from archetypal meaning.

The practice of agnosticism also demands clarity about what it is we’re avoiding, and the balanced treatment of positive and negative kinds of absolute claim as equally unhelpful. This is the subject of the final two videos. ‘Sceptical slippage’ deals with the tendency to slip from agnostic to negative positions. It offers some explanations as to why we tend to do this, and thus why agnosticism is so unfairly treated in much dominant thought. The final video, ‘Even-handedness’ offers some practical principles for maintaining a clear balance so as to be able to practise agnosticism without giving too much weight on one side or the other.