Category Archives: Practice

Meditation 15: What if I’m doing it wrong?

Image of a sitting frogHave you ever thought ‘What if I’m doing it wrong?’ We’ve all had that feeling when learning something new. This is no less true when the new activity is meditation. We may have reached a point where externally everything is polished – we’ve ‘found our seat’ and can meditate comfortably for as long as we would like to – but then another level of difficulty opens up because we are more sensitive to what’s happening ‘inside’.

If that new practice is one of the more open styles of meditation, such as ‘just sitting’ or recollective awareness meditation, there are not the usual meditation instructions to fall back on. It is much more likely that a novice will be worrying, ‘What if I’m doing it wrong?’ when there is a fundamental lack of specific guidance on what it means to be doing it right. When I think I’m doing it wrong, then I’ve assumed that there are certain desirable results (meditative attainments) that are supposed to come from doing it right. By doing it wrong, I worry that I will be denied these results. Is it at all helpful for me to be concerned about this? Have I completely missed the point? Or maybe there is no point – in which case, why am I even doing this?

As I understand it, in the traditional schools of Buddhist meditation one’s progress along the path is marked by meditative attainment, which is typically a matter that is kept between you and your teacher, someone more accomplished and better integrated than yourself. However, Jason Siff writes (in Thoughts are Not the Enemy, Shambhala 2014, p179), ‘I believe attainments are unnecessary concepts. They can easily derail a well-functioning spiritual path and turn it into a dysfunctional nightmare. … Some attainments may be real. Now, when that is the case, there is no advantage to making it known. Someone who really has succeeded in diminishing the force of her desires and ill will, and has substantially reduced her self-importance and pride, would be content being a nobody’.

People, myself included, first come to meditation with the expectation that their hard work will be rewarded. It’s part of our culture in the Western world, where the Protestant work ethic is alive and well despite increasing secularism. New meditators will also expect their time to be productive – even their leisure time: ‘work hard and play hard’. We can’t help but bring our cultural conditioning to new activities, meditation too, and probably without even consciously thinking about it we believe that doing it right will ensure a more efficient path to being productive. But productive of what?

The recent presence of mindfulness in the media, coming mainly from the growth of mindfulness based stress reduction programmes, means that it would be easy for those running meditation groups to sell meditation to newcomers as simply a method for solving problems – to cure whatever ails you. Stephen Batchelor (in After Buddhism, Yale University Press, 2016) points out that ‘…treating meditation as a technique for solving the problem of human suffering, however, is nothing new. Buddhism itself has frequently lapsed into this way of thinking and, in some schools, uncritically endorses such an approach. … This is no different from a sales pitch for an effective diet: if you follow this regime for X amount of time, it is certain that you will lose X amount of weight.’

The beginning meditator will look to veterans for reassurance that they’re doing it right, and that doing it right does have some positive benefits. We are, like it or not, driven by goals. However, there is the possibility that a well-practiced meditator has completely missed the point. Despite their accomplishments in certain meditative techniques they may have failed to have become a more integrated person, or, more generously, their integration may be radically asymmetrical with their desires well integrated, but their beliefs are poorly integrated as they are still operating under the assumptions of ideological dogma.

What light can recent developments in psychology shed on this topic? Conceptualising meditation in our minds as a task to be done correctly is a very heavily left hemisphere dominated approach: understandable in our current culture, but not a sign of good integration between the narrowly-focussed task-oriented language-producing aspects of our minds and the complementary widely aware integrating nonverbal aspects. Iain McGilchrist’s thesis (in The Master and His Emissary, Yale University Press, 2012) is that our current Western culture is the product of our left hemispheres pretty much going it alone (in his analogy, the Emissary has usurped the Master), and, if there is any hope of saving our sick society, it will involve a reintegration of the left and right hemisphere modes of being in the world, where the task-oriented narrow-focus modes of our left hemispheres are integrated by the wider awareness and more fluid modes of our right hemispheres.

I appreciate this from personal experience as much as anyone. I’ve read enough books, listened to enough podcasts, watched enough videos and conversed with enough people. Which of these authorities am I hoping will be able to reassure me that I’m doing it right? As is often the case, there are about as many different opinions as there are people expressing them, and without some kind of absolute conviction that one of them is The Truth there’s a danger of flipping to the other extreme (of relativism) and assuming that all of these different methods are equally useful to me.

What I’ve found so far in my practice of meditation (which most commonly involves sitting quietly, with the intention to meditate) is that however much I want do it right, in fact I can’t do it wrong. Whatever progress occurs, it is arrived at indirectly, and if I assume I know what my so-called correct technique is aiming to achieve then I’m fundamentally limited by those assumptions. By sitting quietly and treating my thoughts kindly – not cutting them off or drowning them out – the noisy, narrowly focussed left hemisphere has a chance to settle of its own accord, and then the right hemisphere’s openness to new experience can make itself known. It isn’t a battle to subjugate the left hemisphere (that’s the sort of plan-driven technique that the solo left hemisphere would derive) but a space in which the right hemisphere can integrate with the left within its wider awareness.

To conclude, a quote and more questions. In After Buddhism, Stephen Batchelor suggests that ‘…meditation is more usefully compared to the ongoing practice of an art than the development of a technical ability.’ Still, when cultivating an artistic meditative practice, people can also worry about doing it wrong, however cultivating a sensibility is a very different thing to drilling the correct practice of a technique. Is there some way of adapting the reassuring but dangerous phrase ‘you can’t do it wrong’ so that it reflects this view of it being the cultivation of an art rather than the execution of a technique?

 

Link to a list of previous blogs on meditation

Power-speak

Power is the ability to make people do things they would not otherwise have done. The gangster who points a gun at your head is, of course, exerting power, as is the politician who uses the apparatus of the state to enforce new measures – which we may ultimately obey in order to escape punishment from the state. The manager who gives you the sack is also, of course, exerting power. But then there are more subtle kinds of power, not so much formalised in political or economic structures, but rather implicit in the language of certain social relationships. When reviewing a draft of my latest book with a friend recently, I was struck when he drew my attention to the power of the writer. When I wrote “relativism, postmodernism, atheism” (to distance myself from all three of these isms) he said he felt “thumped” by the complex words that I was defining and using for my purposes. Such words, he implied, are weapons or tools of power.

Since I had never thought about what I was doing when writing philosophy in quite that way before, this episode made me think about a whole associated set of issues to do with the power of words. I guess my normal model of what is happening when I write something and someone else reads it is of a kind of voluntary mutual relationship: after all, nobody is obliged to read it, so I am being offered the opportunity to communicate with someone else. Could this be an act of power?Power Todd Huffman CCA 2-0

Well, this seems to me to have a lot to do with the Middle Way. Absolute claims seem to involve an act of power, because they lock people into a particular way of thinking in which there are only two alternatives – one controlled by the group and the other highly undesirable and rejected by the group. For absolutist theists, for example, ‘atheism’ is highly undesirable, beyond the group, but the only alternative to it is the theism sanctioned by the group. Talking or writing in a way that effectively excludes any alternative views is a way of keeping people in the group’s control. “If you don’t believe me, you’re condemned to be one of them – and we don’t want that, do we?” The Middle Way challenges that dualistic construction in order to avoid a power relationship.

So, much depends on whether what one is writing is absolute or not. But this depends not only on the words one uses, but on the states of mind of the audience and thus how they interpret one’s words. Eventually it occurred to me that my friend’s problem when reading my words was that he was interpreting them absolutely. One of the problems with words is that we also tend to think of them as having a meaning and power in themselves, rather than gaining their meaning and power from us and our interpretation of them, as we use them for a particular purpose. If, for reasons that have emerged from your own background and states of mind, you interpret the writer’s intention as that of making you think in a certain way, rather than as offering you an alternative that you might consider, you might well feel as though the words are being used as weapons against you. Of course, that might be particularly the case if there is any kind of social pressure to read or accept what is written. But the writer may have merely intended to offer you an alternative. Or, of course, it could work the other way round too: she might in fact be trying to shove a dogma down your throat, but you interpret her as just offering you an option. It could go either way.

Of course, it’s the writer’s responsibility to try to write in a provisional way, but I don’t think it’s necessarily fair to solely blame the writer if you ever feel thumped by what you read. It’s also your responsibility to interpret it charitably, if there is any ambiguity about whether it involves an absolute claim or not (though very often, the context makes it fairly plain – for example, papal bulls do not shrink from absolute language). I’ve written in previous posts about provisionality markers (which means language that tries to signal provisionality) and about the principle of charity (which involves our responsibility in interpretation). Paying attention to provisionality markers is just as important as using them (though there are also some circumstances where provisionality markers are only employed to sweeten dogma – again you have to judge from the context).

So, it seems that words are much more ambiguous weapons than guns, because they depend on the interpreter to a much greater extent. Nevertheless, their power can hardly be underestimated, and the ability to manipulate people by using language that absolutely distinguishes the beliefs or interests of the in-group from the out-group is something we have seen demonstrated recently in politics: whether it is the anti-EU sentiment that drove the Brexit vote, or Trump’s Mexican Wall and rants against the ‘liberal media’.

In the final section of my book Middle Way Philosophy 2: The Integration of Desire I have written about the justification of the use of power. We can hardly avoid having to use power in certain circumstances, for example as a parent with small children or an agent of the state dealing with criminals, but the question is how we use it and with what justification. It seems to me that the integration of the judgement that justifies using power is the crucial criterion for whether it can be justified. If one is addressing conditions better by using power than one would be by not using it, and the judgement to do so is more integrated than the judgement of the person whom power is being used against, it can be justified. Merely appealing to greater ends, or traditions, or motives, is not enough if we do not have a good enough judgement in assessing the relevance and application of these kinds of judgements. So, for example, you might forcible restrain your toddler from running into the road, and you are justified in doing so, not just because you think it’s in the toddler’s interests and is an expression of love, but also because you are in a much better position to judge the whole situation than the toddler is.

As with uses of power for violence or bodily restraint, so also, it seems to me, for language. We might use absolute language with the toddler to stop them running into the road for very similar reasons to the reasons we would forcibly restrain them. Sometimes practical necessity makes the use of power-speak justifiable, but in most cases, when talking about political or other issues with other adults, there is no call for the use of power, whether that is in words or any other way, and it is essential for the issues to be resolved without power. Most people in Western democracies recognise this, but often they do not recognise to what extent the use of absolute language is a use of power. For my part, though, it seems that the difficulties of judging how to communicate with urgency and commitment but without power will probably never cease, given that absolutisation depends on mental states as well as words. Whatever one says, one may get it wrong, because one does not know the mind of the audience. One can only try to find the Middle Way in each new situation, and fall down and try again.

 

Picture by Todd Huffman (Wikimedia: CCA 2.0)

Yielding to Buddhist torturers

The latest film from Martin Scorsese, now in cinemas, is entitled ‘Silence’, and concerns the struggles of Jesuit missionaries in a nascent Christian community in seventeenth century Japan. It’s a harrowing film to watch, because it contains a great many scenes of gruesome torture inflicted by the Buddhist Inquisitor on Japanese Christians and missionaries to get them to apostasize their beliefs, but it’s also a film that I felt raised troubling questions about how we should treat our identities and commitments. Should we be prepared to renounce them to save our lives? For someone of Christian identity, is stepping on an image of Christ just a formal gesture of no great significance, as the wily inquisitor urged? Or is it, simply by yielding to power and surrendering the individual conscience, a deeply undermining act, compared to which martyrdom might even be preferable? silence_2016_film

This film depicts a world that is a long way from any obvious application of the Middle Way – a deeply polarised world of clashing absolute beliefs. After initially tolerating limited European influence, at this stage the Japanese government had entered a phase of isolationism during which they were determined to limit foreign religious influence as well as other kinds of political influence, by any means necessary. Christian villagers are depicted as being crucified, ‘baptised’ with boiling water, summarily decapitated, drowned, or hung upside down in a pit with their neck veins opened, to induce renunciation either from them or from equally unfortunate missionary spectators. Ironically, of course, the Buddhist torture being inflicted on religious minorities in Japan mirrors the equally gruesome and better-known torture inflicted by the Catholic Inquisition on any type of heresy in Europe, at the very same time.

[The remainder of this review contains plot spoilers.]

But many people have lived in such a desperately polarised world, and indeed still do so. The Middle Way should still be practicable in such a world, as it should be in any conditions, but what does it imply? On the whole I found my sympathies with the character of Father Ferreira, an earlier Jesuit missionary who is depicted as having renounced his faith under earlier torture and to be living in Japan and studying Japanese thought. Ferreira urges the younger Jesuit who has come to find him (Rodriguez) to renounce similarly, rather than waiting for Japanese Christians to be tortured to death one by one in front of him. Ferreira recognises that the religious meaning of Christ and of Christian commitment to him is not just a matter of tribal identity, and insists that the loving action in the circumstances is to yield. After a great deal of resistance, Rodriguez finally convinces himself that Christ would understand his action, and apostasizes. In effect, Ferreira recognises the unhelpfulness of absolutizing religious commitment and confusing it with tribal identity. He seems to have made a step in the direction of the Middle Way, by allowing new information from outside to soften his previously rigid beliefs.

However, this also didn’t seem to me to be such an obviously right judgement, because of its political effects. If the state or a religious authority uses absolute power in this way, yielding to it could also be seen as encouraging that type of policy. Defying it, on the other hand, could possibly have the effect of encouraging tolerance. In the circumstances, though, the prospects of changing Japanese policy through defiance would seem to have been pretty remote. Much longer-term social and political change was required to eventually open up Japan. So I continue to see Ferreira as more justified on the whole, though with a full acceptance of the limitations of any judgement I can make from my comfortable armchair in relatively tolerant 21st century Britain.

However, I doubt if this is Scorsese’s own view. In the very final scene, we see Rodriguez’s burial according to Buddhist rites, with any indications of the deceased’s Christian origins strictly forbidden: but Rodriguez is clutching a hidden cross which his wife has presumably planted in his cupped hands. At the beginning of the final credits, there is also a dedication to the martyred Japanese Christians, ‘ad majoram dei gloriam’. Scorsese, as a Catholic, seems to want this in the end to be a triumphalist film about Christian heroism in the face of Buddhist oppression, despite the deep ambiguity of most of the film. I felt this was an artistic betrayal of the more creative ambiguity that the film would have done better to stick with.

Critics have been lambasting the film for being too long – the trademark criticism of an impatient age. I didn’t find it too long, but I did sometimes feel that the torture scenes were overdone. Despite these limitations, it is still a film well worth seeing for anyone interested in confronting the full anguish of our religious past. Although Scorsese’s artistic instincts seem to be in conflict with his dogmatism, most of the time the artistic instincts win out.

I’d especially recommend this film for any Buddhists who are inclined to idealise their religion by considering it intrinsically different from any other in the mix of its historical attitudes to violence and oppression. For example, Sangharakshita wrote:

Not a single page of Buddhist history has ever been lurid with the light of inquisitorial fires, or darkened with the smoke of heretic and heathen cities ablaze, or red with the blood of the guiltless victims of religious hatred. Like the Bodhisattva Manjushri, Buddhism wields only one sword, the Sword of Wisdom, and recognises only one enemy – Ignorance. That is the testimony of history, and is not to be gainsaid[1].

Such completely inaccurate idealisations are unfortunately still found amongst Western Buddhists, together with the assumption that the conceptual content of your metaphysical beliefs somehow makes a difference as to how rigid they are and how much conflict and oppression they create. But it’s not whether you call your ideal ‘God’ or ‘Enlightenment’ that makes the difference here, but whether you absolutise it. Scorsese’s film has the merit of making this point abundantly clear.  

 

[1] Sangharakshita, Buddhism in the Modern World

Picture: film poster copyright to the film-maker/distributor but copied from Wikipedia under fair use criterion. Please see this link for fair use justification.

 

Poetry 127: When I Heard the Learn’d Astronomer by Walt Whitman

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When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

This weeks poem was suggested by Jim Champion (and is featured in the excellent TV series, Breaking Bad: Season 3, Episode 6).

Image courtesy of Pixabay.com

Poetry 125: Birds’ Nests by Edward Thomas

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The summer nests uncovered by autumn wind,
Some torn, others dislodged, all dark,
Everyone sees them: low or high in tree,
Or hedge, or single bush, they hang like a mark.

Since there’s no need of eyes to see them with
I cannot help a little shame
That I missed most, even at eye’s level, till
The leaves blew off and made the seeing no game.

‘Tis a light pang. I like to see the nests
Still in their places, now first known,
At home and by far roads. Boys knew them not,
Whatever jays and squirrels may have done.

And most I like the winter nests deep-hid
That leaves and berries fell into:
Once a dormouse dined there on hazel-nuts,
And grass and goose-grass seeds found soil and grew.

Image courtesy of Wikimedia Commons.