Category Archives: Books

Second class practitioners? Kegan’s stages, Eternalism, and Secular Buddhism

Books, Buddhism, Psychology, ,

In recent months I’ve been stimulated into a lot of new thoughts by reading Robert Kegan’s ‘The Evolving Self’. Kegan draws on the tradition of psychology that goes back to Jean Piaget, who first studied the cognitive and moral development of children and was able to isolate distinct stages in that development. But Kegan continues that development model into adulthood, isolating 5 relatively clear (though of course not totally distinct) stages. In each of these stages, it is a new level of awareness that makes the difference from the previous stage, by making what was previously taken for granted a new object of awareness. Using Kegan’s labels, the stages are as follows:

Infancy:  Objects not clearly differentiated

Stage 1: Impulsive Stage: Objects differentiated from each other, but not from self (early childhood)

Stage 2: Imperial Stage: Self recognised as acting in the world, and others as like me. Peer relations are bargains (late childhood, plus 6% of adults).

Stage 3: Interpersonal Stage: Others recognised as having perspectives different from oneself, and view of oneself is dependent on their acknowledgement (usually reached in adolescence). According to Natalie Morad, 58% of the adult population stay at this stage.

Stage 4: Institutional Stage: Truth believed to be formed by the self through reason, and to lie beyond the limitations of relationships, but nevertheless dependent on certain limited sources of knowledge (usually reached in adulthood – by about 36% of the population, often through university education or career demands).

Stage 5: Interindividual Stage: A recognition of differing sources of justification whilst recognising one’s own role in using them. ‘Genuine intimacy’ reached in relationships where independent judgement of each is secure (only reached by about 1% of the population, usually in later adulthood).

What is wonderful about this theoretical model is that it combines psychology, epistemology and ethics in a thoroughly convincing way. It is based on plenty of psychological evidence, and takes into account the complexity and vagueness of our transitions between stages, but nevertheless is able to identify the points of developmental stability that create each of the stages. It’s an immensely rich model, and I expect to be writing a lot more about it in the future. I will put links to some more resources about Kegan’s model at the bottom of this article.

What I’m interested in exploring here, though, is some thoughts about the relationship between the stages in this model, the Middle Way, and Buddhism. The relationship between stage 5 and the Middle Way should be obvious to anyone who explores them both. The Middle Way avoids absolutisations, and absolutisations usually mean taking for granted a particular source of information and its assumptions, whether those assumptions are positive or negative and whether they are found in a religious, political, philosophical, scientific, or whatever other context. At the same time, the Middle Way is not relativistic or nihilistic: it doesn’t assume that all sources of information are equally true. Rather, it’s the responsibility of each of us to make our own judgements about the justification of differing beliefs from different sources. At stage 5, people will start looking beyond the specific set of assumptions that are taken for granted in their starting culture, and look for value in very different approaches. They are thus more likely to be able to break down polarising assumptions (e.g. those of a specific religious tradition or scientific training) and move beyond the limitations of over-specialised experience. Nevertheless, if they’re securely in stage 5, that won’t make them feel hopelessly adrift. Their sense of confidence will be based on bodily experience rather than the absolute authority of particular sources.

Kegan’s stages make it clear why the Middle Way is valuable, and why its use is such an important element of the general human capacity to operate adequately in our changing environments, but also why so relatively few people seem ready to engage with it. If the figure of 1% at stage 5 is correct (which I have taken from Natalie Morad – she does not give a source), then we should not be surprised that most people are simply puzzled by the Middle Way and cannot see the point of it. For those not ready to move on from stage 4, it may seem flakey and over-vague, too reminiscent of the lack of rigour they associate with stage 3. For those still in stage 3, it will probably seem cold and impersonal, just a further puzzling stage 4 phenomenon.

I have recently been thinking about the role these stages play in the Buddhist tradition, where the idea of Middle Way has been preserved and passed down, even if it’s also been mixed with other assumptions. One of the things that’s always puzzled me in the Buddhist presentation of the Middle Way is the lack of even-handedness between the ‘eternalism’ and ‘nihilism’ that Buddhism identifies as the absolutes to be avoided. Eternalism is considered better, because it is closely associated with the role of lay as opposed to monastic Buddhism. The lay Buddhist, traditionally, aims not to practice the Middle Way but rather to conform to the absolutes of the law of karma, working to achieve merit within the just world-view created by belief in karma and rebirth, so as to gain a better rebirth in the future. Lay Buddhists are second-class practitioners, not generally considered capable of working towards nirvana just yet. But do Kegan’s stages provide a practical justification for this? Is it just that lay-people, caught up at levels 3 and 4, are simply not ready for the subtleties and insecurities of the Middle Way?

Only to some limited extent, I think. For one thing, we cannot assume that most monks or nuns are at level 5: many of them will have similar limitations. Nor can we assume that all lay people are not at level 5: there may be many reasons why they cannot ordain. For another, ordination can offer at best a very crude and discontinuous reflection of psychological stages. If one was to devise a social system that was optimally geared to helping people develop best at the stage they are at, it would not be one that separates people into first and second class practitioners for life, but something much more continuous, more flexible and less subject to potential abuses of power.

These thoughts about eternalism and the division between monastic and lay Buddhism have also led me onto another area of puzzlement in recent years – Secular Buddhism. The Middle Way Society originally arose from a group of people who met in a Secular Buddhist context, but Secular Buddhism is only sometimes, and somewhat incidentally, about the Middle Way (even though there are practical overlaps such as the use of meditation).  For a long time I used to engage in rather fruitless online debates with Secular Buddhists (at least those from the US-based Secular Buddhist Association) in continuing disbelief that they weren’t interested in the Middle Way, which seems to me such an obvious way of combining the strengths of both scientific/ secular and traditional Buddhist outlooks. But I’ve gradually been getting the message that most Secular Buddhists just aren’t interested, and usually won’t even get into discussion about what the Middle Way means, despite its prominence in Buddhist scriptures.

Kegan is beginning to give me a bit more of a general psychological explanation as to why this might be the case. With a few exceptions, most Secular Buddhists seem to be very much in a stage 4 way of thinking. In this case, it is stage 4, not based on traditional Buddhist ideology, but on naturalistic thinking that appeals to the results (rather than the methods) of science.  Many of them also seem to be trained in STEM subjects (sciences, maths, computing) where the basis of education often seems to be heavy on rigorous ways of proving presumed facts but light on imagining other possible perspectives. The chief intellectual publicist of the Secular Buddhist Association, Douglas Smith, is an analytic philosopher, with no evident interest in the ways that Buddhism might offer resources for questioning naturalism. The parallels with lay Buddhism are thus clear. Instead of karma and rebirth, Secular Buddhists of this kind rely on scientific results: but these provide a similar level of relatable security, and thus a basis of mass participation, for the latest generation of Westerners who do not want to accept supernatural beliefs but want an acceptable version of Buddhism.

So, if one concentrates instead on the Middle Way, is this hopelessly limiting oneself to a tiny elite? Well, I don’t think so, for several reasons – even though I can also see why people find the Middle Way a difficult concept to engage with. One reason is that the Middle Way provides a universality of perspective that is missing for those concentrating on stage 4. Stage 4 thinking is typically coherent, but polarised. Stage 4 religious thinkers are polarised against stage 4 secular ones, socialist or ‘liberal’ ones against conservative ones, and so on. It’s vital to encourage as many people as possible to move on to stage 5 for that reason, because it creates the conditions for a dialectical process in which people are able to reconsider their assumptions more profoundly. It’s not about being elitist, because it’s not about aggregating or using power, but rather about encouraging wider awareness. That’s where the critical universalism offered by the Middle Way becomes vital.

Another reason that I’m not too discouraged is that, even if Morad’s figures are correct, I can’t accept that the proportion of stage 5 thinkers is fixed, nor that the boundaries are particularly clear. I would imagine (but can’t demonstrate) that the numbers of stage 5 people are probably on an upward trend, due to rising levels of education, cultural diversity, religious experimentation etc. in the world as a whole. There may be many more stage 4 people around who can be coaxed on to stage 5 than 1% of the population.

A third reason why I think the Middle Way is not simply an idea for an elite is that it also forms a necessary part of our transition from any of Kegan’s stages to the next one. In the tricky transition stage, we cannot absolutise either the previous stage or the next one, but have to remain content with a messy in-between state for a while in order to actually make the transition. We have to let go of an old view of ourselves and others without grasping too hastily at the new one. In a wider sense, the Middle Way is simply a description of how people make progress and address conditions better, whether morally, epistemologically, scientifically, politically, artistically or psychologically. I suspect, then, that there are also ways of communicating it helpfully to people who are transitioning between earlier stages, even if they are not ready to engage with it so fully.

 

Some sources of further information on Robert Kegan’s psychological stages:

Natalie Morad’s article in Medium, part 1 and part 2

A very useful paper by Karen Eriksen giving more detail than Morad

David Chapman’s summary of Kegan’s model (it was from Chapman that I was first alerted to Kegan)

Video of Robert Kegan’s talk to the RSA (highly recommended):

 

Pictures: (1) Robert Kegan by US Navy (public domain). (2) Newari girls (lay Buddhists) by Krish Dulal CCBYSA3.0

The Exorcist: A Middle Way Interpretation

Books, Christianity, Culture, Fiction, Film, Meaning, Popular Culture, Religion, Science, spirituality, The Arts, , , , , , , , , , , , , ,

Spoiler Alert: This isn’t a synopsis or a review but I will reveal certain, important, plot points.  As such, if you haven’t yet seen it yet – and would like to – you may want to stop reading now. 

Cursed. Obscene. Scary. Nauseating.  Pea Soup.  These are just a selection of words associated with William Friedkin’s 1973 film, The Exorcist (adapted from William Peter Blatty’s novel of the same name).  The Exorcist tells the story of the Exorcism of 12-year-old girl, Regan MacNeil, who has been possessed by a malevolent force.  It is set in affluent 1970’s Georgetown USA, where Regan lives with her atheist mother, who also happens to be a famous actress.

Even in the early 1990’s, when I was at school, this film had a reputation as being the most disgusting and frightening film ever made – which of course meant everybody wanted to see it.  This desire was only intensified by the fact that The Exorcist had been banned in the UK since 1984; a few friends and I even attempted to watch a pirated copy of it on VHS, but our excited anticipation was soon extinguished once we realised that the video quality was so bad as to render further viewing impossible.  In 1998 the British Board of Film Classification (BBFC) lifted the ban, and The Exorcist was released – with much fanfare – in cinemas across the country.  Many of my peers came back with reports of disappointment and boredom.  ‘It’s not scary at all.  I didn’t jump once’ they’d say, or ‘I don’t know what the fuss is about, nothing even happens for most of the film’.  I was worried.  I’d recently read the book and really enjoyed it, but wasn’t sure how it would be translated into the ‘Scariest Film Ever Made’.  Could this really be the same film that had caused people to faint and vomit while watching it?  I knew loads of people who’d seen it the first-time round and refused to even talk about it, let alone watch it again.  Perhaps it hadn’t aged well?

When I did eventually get to see it that I could understand why my peers were confused about the reputation it had achieved.  I’m not the kind of person that finds Horror films particularly scary anyway, but I had expected The Exorcist to be an exception.  It wasn’t.  In this respect, the length of time that had passed since its original release did seem to have had an impact.  Horror films throughout the 90’s had a tendency to reject the kind of subtle psychological techniques used in the 60’s and 70’s in favour of ‘jump scares’ and ‘gore effects’.  Therefore, that is what any teenager going to see a Horror movie at this time would be expecting.  That’s not what they got with The Exorcist.  There’s hardly any ‘gore’ and it is almost entirely void of ‘jump scares’.  In addition to this, much of imagery was much less shocking in the 90’s than I suspect it would have been to a 70’s audience.  With these considerations in mind I can understand many of my peer’s sense of disappointment – in this respect it had not lived up to the hype.  However, as much I wasn’t scared in the cinema, I loved it.  I found it absorbing in a way that few films had been and was surprised by the skilful way in which it created an atmosphere.  The deep layers of meaning hidden within the imagery and narrative demanded repeated viewing.  It is a deeply unsettling film and I found that it stayed with me (as the book had) long after I’d left the cinema; something that did not happen with contemporary horror films such as ‘I Know What You Did Last Summer’ (which is instantly forgettable).  While it wasn’t what the hype had lead me to believe it would be, The Exorcist, as a film, had aged very well indeed.

After a period of about 10 years, where I watched it quite a lot, I spent a further 10 years without seeing it at all.  That is, until a few months ago, when I heard Mark Kermode (film critic and Exorcist expert/ super-fanboy) discussing it on the radio.  With some trepidation – I feared that it really might have aged badly by now – I sought out a copy and sat down to watch it again.  I needn’t have worried, it stands up incredibly well & I enjoyed it just as much (if not more) than I had before.  More importantly for this blog however, I also realised that it related, both stylistically and narratively, to the Middle Way.

Watching The Exorcist is a physical experience.  I know that watching any film can be described as a physical experience, we are embodied beings after all, but The Exorcist goes further.  You can feel the cold of Regan’s bedroom.  You can smell her necrotic breath as she lies, unconscious on the bed.  I don’t understand what cinematic tricks are used to create this effect but I suspect that it has as much to do with the sound as it has with visuals.  The ambient sound is hypnotic and the groaning rasp that accompanies Regan’s breathing creates a powerful and absorbing effect.  There are other scenes where the combination of visuals and sound work together to create the experience of embodied physicality, such as when Regan is made to undergo a range of intimidating and painful medical tests.

On the surface, The Exorcist is a fairly standard tale of good versus evil; light overcoming darkness.  During the first scene – where an elderly Jesuit priest, Father Merrin, is seen attending the archaeological excavation of an ancient Assyrian site in northern Iraq – the contrast between quiet contemplation and loud commotion is jarring.  While the scene is set within the suffocating glare of the desert sun, it is also pierced with dark imagery.  It’s within this context that we finally see an increasingly disturbed Merrin wearily, but defiantly, facing a statue of the Assyrian demon Pazuzu.  It is no coincidence that this scene brings vividly to mind the Temptation on the Mount, where Jesus overcame Satan’s attempts to divert him from his holy path to righteousness.  I’m sure that this premonition of the battle to come, is constructed and representative of several Jungian archetypes, but I’m not familiar enough to identify them all.  However, I’m confident that there’s the Hero, the Shadow, God and the Devil; the latter two also being representations of two metaphysical extremes: absolute good and absolute evil.  The key point however is that Father Merrin is not God (or even Jesus) and the statue is not the Devil (or even Pazuzu), they are both the imperfect embodiments each.

Understandably perturbed by her daughters increasingly disturbing behaviour, Regan’s mother seeks the help of neurologists and then physiatrists.  Both fail to identify a cause and both fail to succeed in their interventions.  Eventually, the perplexed psychiatrists suggest that Regan’s exasperated mother enlist the services of a priest, to which she reluctantly agrees.

The priest that she finds is a man called Father Damian Karras.  Karras is unlike Merrin, whose background is not really explored, in that he is clearly a conflicted and complex character.  We see him caring for his elderly mother, when no one else seems willing to, and we also see him, dressed in his Jesuit regalia, turn away from a homeless man who asks for his help.  Karras, then, is not a bad person, but neither is he that good.  The viewer is left to wonder the nature of this priest’s faith.  When we add to this the fact that he is a scientist (psychiatrist) as well as a priest, we start to see the depiction of a complex, multifaceted individual who struggles, in all aspects of his life, through the messy middle in which we all exist.

Karras, who is not qualified to perform the Exorcism ritual, convinces the Church of Regan’s need and Father Merrin is subsequently called upon.  The moment when he arrives at the house and looks up at the room which contains the possessed girl is inspired by The Empire of Light, a series of pictures painted by René Magritte in 1953-4.  As with the opening sequence, we are shown our archetypes juxtaposed in preparation for battle; this striking image was also used as the now famous promotional poster (which I used to have on my bedroom wall).  The clichéd battle between good and evil begins.  Except it doesn’t… not really.  Like the statue of Pazuzu, Regan is not an absolute representation of evil; she has been embodied by evil but is not the embodiment of it – she’s a 12-year-old girl.  Father Merrin is not the embodiment of good, he is just a representative of Christ (and therefore God).  This is made explicitly clear (if it wasn’t already) in an extended scene where the two priests desperately shout, ‘the power of Christ compels you, the power of Christ compels you’ over and over while throwing Holy water on the levitating girl.  A lesser film would have Merrin eventually defeat the demon and save the girl, but this is not what happens.  The elderly Exorcist dies during the gruelling exchange and Karras is left facing the demon alone.  Again, a lesser film would have Karras take up the role of Exorcist and overcome the evil force against all odds.  This is not what happens.  Religion, like science before it has failed and Karras appears to be in a hopeless predicament.  In the heat of the moment he takes the only course of action that he feels is available to him; he grabs Regan and shouts at the demon, ‘take me, take me’.  The demon gladly obliges and, a now possessed, Karras – who already exists somewhere between good and evil – is able to throw himself out of Regan’s window, where upon hitting the ground he falls down a flight of steep stairs, where he dies, presumably taking the demon with him and leaving Regan to make a full recovery.

Science, religion and the explicitly archetypal forces of good have not triumphed over evil and, in this muddled mess, appeals to authority do not always provide the promised solutions.  Instead our Middle Way hero, who’s able to hold onto his beliefs lightly, is left to address challenging conditions as they arise.  The solution he finds, I would like to suggest, seems remarkably like an extreme example of the ‘two donkeys’ analogy that is a favourite of this society.  By integrating competing desires, he is able to overcome conflict, albeit at great cost to himself.

 

Jung and Nazism

Books, Great Thinkers, History, Jung, Politics,

In the aftermath of World War 2 and since, controversy has raged about Carl Jung’s attitude to Nazism, with some condemning him as a Nazi sympathiser, and others defending him in the strongest terms. After reading Deirdre Bair’s detailed biography of Jung, and following up my recent post (and as yet unpublished book) on Jung and the Middle Way, it seems increasingly clear to me that this is a classic case of a messy Middle Way strategy being misunderstood by polarised interpreters on both sides.

Jung was a citizen of Switzerland, which remained neutral throughout the Second World War. However, throughout the 1930’s he remained the president of an international psychoanalytic society that was based in, and dominated by, Germany. From the time of the rise of Hitler in 1933 this society was subject to Gleichgeschaltung, the regulations by which the Nazi government ensured conformity to Nazi values in organisations of civil society. In many ways Jung was a convenient tool for the Nazis, as they were able to use him as a source of credibility for their gleichgeschaltet version of psychoanalysis, purified of what they considered the corrupting Jewish influence of Freud with his decadent emphasis on sexuality. Although there was ambiguity in this position, because the society was formally international, the Nazis were able to manipulate that ambiguity, and he was only finally able to resign from this presidency in 1940.

It is this involvement, together with a number of incautious public statements about the psychology of races and nationalities (some of which generalised about Jewish psychology as distinct from other races) that form the basis of a case against Jung that has been raised on a number of occasions by his detractors, and even led to one (not very realistic) proposal that he be prosecuted at the Nuremberg war crime tribunals. For his critics, any compromise with Nazism or involvement in Nazi-dominated organisations makes Jung a Nazi sympathiser, and any generalisations about the psychology of Jews make him anti-Semitic.

However, Jung’s position was highly ambiguous. On his own account, his motive in remaining involved with the Nazi-dominated society was to maintain the position of psychoanalysis and to help Jewish psychoanalysts. If he had tried to take a position of purity and refused to be involved, he would have lost the possible opportunity to help psychoanalysis survive in Nazi Germany, and the opportunity to help maintain the status of persecuted Jewish psychoanalysts. After 1940, with the cohesion of the international society destroyed and Freud having fled to England, it is fairly clear that he recognised such hopes as naïve. However, he did manage one substantial achievement, which was to employ an (ironically Jewish) lawyer called Rosenbaum to introduce lots of loopholes into the anti-Semitic regulations being introduced to the society by the Matthias Goering (cousin of the more famous Goering) – who effectively developed political control over it.

As in many such highly charged and polarised political contexts, there is plenty of evidence that can be seized upon and interpreted one way, and also plenty of evidence the other way. Any case thus becomes overwhelmingly a product of confirmation bias. There is also plenty of scope for hindsight bias if we assume that the attitude Jung took to Nazism earlier in the 1930’s should have been based on their later actions – but nobody knew the full horrors to come. Highly unscientific generalisations about the psychology of races were also common currency at the time.

Later in the war, Jung also became involved in support of a plot to get Hitler overthrown, effectively providing advice about Nazi psychology to a US secret service operative working in Switzerland, as well as psychoanalytic support to a close friend who was more directly involved, both of whom were working in support of a German officer involved in a plot to overthrow Hitler. Jung’s support for anti-Nazi activities may have even gone further than this. Allen W. Dulles, the US agent mentioned, is quoted by Bair as saying “Nobody will probably ever know how much Professor Jung contributed to the Allied Cause during the war, by seeing people who were connected somehow with the other side.” Dulles went on to decline to give further detail on the grounds that most of the information was classified.

What makes me think that Jung was attempting to practise the Middle Way in any sense in this complex and ongoing situation? Partly my reading of the Red Book, which mentions the Middle Way explicitly, as I have discussed elsewhere. Partly, however, it also seems the best way of making sense of Jung’s actions. He was not ideologically motivated, though he could often be accused of political naivete. He saw the justification of one action or another in the situation, even when that situation was one dominated by Nazism, rather than solely in the terms of an ideal situation in which Nazism was not dominant. His moral values were those of individuation (as he usually called it) or what I would tend to call integration, the actual practice of which depends on the quality of judgements rather than any pre-formed general rules about the objects of those judgements.

His involvement was thus deeply messy, and he obviously left himself vulnerable to blame from both sides. It was not Nazi or Anti-Semitic, but neither was it Anti-Nazi in a way that would have made his activities less effective at the time by seeking purity from Nazism. However, it does also seem that he could have followed this path more effectively than he did: by developing more politically awareness, by seeking clearer evidence than he had before making racial generalisations, and by making the Middle Way a more explicit basis of action so as to reduce the chances of being misunderstood. Like the rest of us, however, Jung had limited knowledge, limited abilities and limited understanding with which to work, and the path of the Middle Way only requires reconciliation and adaptation to these conditions, not an unrealistic expectation of transcending them, as a basis for responsibility.

I can even find some inspiration in the way that Jung handled this difficult series of situations, not despite, but because of the many human failings that his biography has made me all too aware of. Would I, or any of us, have done better? Adopting the principle of charity seems to be the first requirement for reading the situation – a principle that allows us to appreciate the strength of messy achievement without idealising it.

 

Rethinking saintly miracles

Books, Christianity, History, Meaning, Middle Way Philosophy, Myth, Religion,

Though I’m now trying to give up the common practice of using ‘myth’ to mean falsity, I must also confess to having long used the term ‘hagiography’ (which means the written life of a saint) pejoratively, to mean a one-sided adulatory biography. Both these usages, though, tend to reduce meaningful symbolic material to claims about facts, when their chief significance doesn’t consist in anything of that kind.

Recently I’ve been rethinking my assumptions about hagiography when reading the Life of St. Cuthbert by the Venerable Bede. Cuthbert was an Anglo-Saxon saint from Northumbria in north east England, closely associated with the holy island of Lindisfarne, and Bede is the scholarly monastic writer of the early eighth century, better known for his ‘Anglo-Saxon Chronicles’, though he wrote in Insular Latin (the weird form of Latin we used to use on these benighted islands). In his youth, though, Bede knew and served Cuthbert. Though he claims to have composed it only on the basis of reliable testimony, Bede’s life of Cuthbert is just one damned miracle after another. He cures the sick all over the place. An eagle brings him food in the wilderness. His incorruptible corpse cures the sick too. And when ravens steal straw from the roof of his island hermitage, he banishes them until they come back and apologise, with “feathers outspread and wings bowed low”. What are we to make of all this?Cuthbert praying

For me this is another opportunity to apply the thinking I’ve been developing in my book The Christian Middle Way (which I’ve drafted and am now hawking around publishers), where I thought about the interpretation of Jesus’ miracles in the New Testament. As regards factual claims about miracles, I’ve long accepted Hume’s argument that accounts of miracles are more likely to be mistaken than otherwise, given that our other experience shows them to be extremely unlikely. Though the probabilities are against the correctness of miracles literally interpreted, we really don’t know. We can speculate about what ‘really happened’ and construct alternative explanations, but this is all likely to be a distraction from appreciation of the meaning of the stories about what happened. That meaning does not depend in any way on what ‘really happened’, but is rather a product of the ways in which the stories reflect the archetypal functions of individuals in the context of a particular culture’s interpretation of those archetypes.

St. Cuthbert’s miracles can be more deeply appreciated if one lets go of the factual questions and focuses only on these archetypes. To illustrate this, let’s start with the healing miracles. Here’s a fairly typical example:

One day, as he was going round the diocese giving saving counsel in all the houses and hamlets of the countryside, and laying his hand on the newly baptised so that the grace of the Holy Spirit might come down upon them, he came to the house of a member of the royal bodyguard whose wife lay ill and seemed to be dying. The man ran to meet him, knelt down and thanked God that he had come, brought him into the house, and made him most welcome…. Then the man told him that his wife was desperately ill and begged him to bless some holy water to sprinkle on her. 

‘I am sure,’ he said, ‘God will grant her a speedy recovery, or if she must die, put an end to her long agony and take her without delay.’

Cuthbert had water brought, blessed it, and gave it to a priest to sprinkle over the sick woman. The priest entered her bedroom and found her lying there looking like a corpse. He sprinkled the bed, sprinkled her, opened her mouth, and poured a little of the life-giving draught down her throat. The patient was quite unaware of what was being done, but as soon as the water touched her an astonishing thing happened: she was immediately restored to full health both of body and mind. She came to, blessed and thanked the Lord for deigning to send such guests to cure her, and then, rising from her bed, ministered to those who had just ministered to her, the patient tending the physicians. (ch.29)

Let’s first note the context in which the healing took place. Cuthbert is laying hands on people to give them the grace of the Holy Spirit. The ‘Holy Spirit’ has become such a stock phrase in Christianity that it might seem almost meaningless, a dead concept, but the live meaning of it in experience is probably more about people recognising new possibilities and extending their awareness in ways that also lift up and broaden their emotions, symbolically related to the confidence expressed in the baptism ceremony. Cuthbert is making people aware of the possibility of new integration.

Note then also that when Cuthbert comes to the dying woman, he does not claim to have power over her illness. It is God who kills or cures, not him. ‘God’ here is also a way of talking about the conditions and reconciling people to them. If the woman had died we would presumably not have heard about this miracle, so the story of her recovery may just reflect confirmation bias, coincidence, selective interpretation and the placebo effect: but in the context, Cuthbert focuses our attention on acceptance of the outcome, helping people to adapt to the conditions, whatever they turn out to be.

In that context, like any other healer, he also demonstrates compassion. This compassion is inevitably selective, because he is human and cannot heal everyone. The story thus does not tell us about God’s justice, but rather helps to reconcile us to his selectiveness. Some will live and others die, and the causes of them doing so are very complex and beyond full human understanding. Yet at the same time an intervention that offers renewed confidence for the suffering person may produce a breakthrough, which can then be recorded and inspire others to similar confidence and openness to integration.

Finally, there is also the actions of the woman after her miraculous recovery. Again, this should probably not be taken literally, as in that case it might seem both medically questionable (she would need time to recuperate) and patriarchal (her service to men couldn’t even be interrupted by near-death!). What I find striking about it is the way it deliberately challenges our expectations. Who is sick and who is well? We attach these labels to people, but the conditions are often more complex. Those who have been ill often remark on this problem: that others don’t know quite how to treat them and are unsure about what they can or cannot be reasonably asked to do. They are shoved either into the indulgent category of convalescent or the negative one of malingerer, because we have trouble with coming to terms with the incrementality of health and have to turn it into black and white terms. Miraculous healing makes all things possible, and its function is to make us aware and appreciative of what is possible, and the ways we might be otherwise constrained by our expectations.

Just as in the life of Jesus, so in Cuthbert there are both ‘healing miracles’ and ‘nature miracles’ in which the saint is depicted as being able to participate in God’s control over nature. The following story can illustrate this other type of miracle, and again it is important to quote some of the context.

Not only the inhabitants of the air and ocean but the sea itself… showed respect for the venerable old man. No wonder: it is hardly strange that the rest of creation should obey the wishes and commands of a man who has dedicated himself with complete sincerity to the Lord’s service. We, on the other hand, often lose that dominion over creation which is ours by right through neglecting to serve its Creator. The very sea, I say, was quick to lend him aid when he needed it.

He set about constructing within the walls of his dwelling a small shed which should be big enough for his day to day requirements. It was to be built towards the sea with the floor over a long deep cleft hollowed out by the constant action of the waves. It was to be twelve feet long, for that was the length of the cleft, so he asked the monks to bring him some planks of that length for floorboards the next time they came. They willingly agreed, received his blessing, went off home and forgot all about it. Back they came on the appointed day but without the wood. He gave them a very warm welcome, commending them to god with the usual prayer, then asked ‘Where is the wood?’ Then they remembered. They confessed they had forgotten and asked him to pardon their negligence. The kindly old man soothed their anxiety with a gentle word and bade them stay till next morning: ‘For I do not believe God will forget my wish’. They complied with his request. The following morning when they went out there was a piece of wood of the correct length thrown up by the tide right under the site of the shed. They marvelled at the sanctity of a man whom the very elements obeyed, and blushed with shame at their own slackness in needing to be reminded by inanimate nature what obedience is due to saints. (ch. 21)

‘Coincidence’, I think, as you probably do too. But we don’t know whether or not it should be rightly described in such a way. What the story records, however, is the meaning of these events for the participants. The monks interpreted the driftwood as a divine rebuke because they were ashamed of their negligence, so for them it served the purpose of symbolising their limited awareness and its consequences, regardless of whether or not the driftwood was the result of supernatural intervention. Cuthbert, however, did not offer such a rebuke but responded kindly, presumably in awareness that the monks’ integration (and thus their remembrance of others’ needs in future) would be better supported by such kindness.

Where Bede sees creation as serving the servant of God, we can see a person who is integrated enough to have fully adapted to his environment, recognising both what he can and cannot do in it. He can make use of one piece of driftwood, but since he asked for ‘planks’ he presumably still needs more than this for his building project. He accepts those conditions that he has no power over, but makes the most of those that he can affect. He is emotionally as well as cognitively adapted, not just resourceful but also flexible in his expectations. Read helpfully, then, this story is not about power over nature at all, but about the balanced acceptance of our lack of power. Our ‘dominion over nature’ is only ours by right when we serve its creator: meaning that we only get what we want by recognising the full extent of the contrary conditions. Today, the belief in ‘dominion over nature’ has been blamed by thinkers like Peter Singer for the attitudes that created anthropogenic climate change, but if that belief had been better tempered by awareness and respect for conditions we would have been much readier to accept our role and its effects at an earlier stage when we could do more to prevent it.

So, miracle stories, read carefully with an eye for their meaning in context, can offer us inspiration rather than falsehood. I am not suggesting that this is what they ‘really mean’: rather that we can usefully choose to interpret them in this way – the Middle Way that avoids the reductions of presumed truth or falsehood. Hagiography of a more traditional kind thus takes on a new meaning. However little I learnt about the faults and shadows of the historical Cuthbert from Bede’s biography, I at least found some inspiring reminders of the meaningful wisdom of the past. I don’t take that as a justification for writing such hagiographies today, because it is more important for us to develop balanced beliefs about more recent lives. But Cuthbert for me, and probably for you, is much more of an archetype than a historical figure. The Anglo-Saxon world offers a distance that makes such symbolic power possible.

Picture: St Cuthbert Praying from Bede’s manuscript: British Library Yates Thompson MS 26. Reproduced for comment under fair use terms.

Quotations from Bede’s Life of Cuthbert come from ‘The Age of Bede’ trans J.F. Webb, pub. Penguin Classics. Reproduced for comment under fair use terms.

Links to some related posts:

Podcast discussion of faith

Franciscan Saintliness

Video: separating absolute belief from archetypal meaning

Audio talks on archetypes (scroll down)